Fishing cold, salty water is all about location, clarity, depth, and rigging. Before you start, answer a few quick questions:
Try to pick spots where you can fish the camera effortlessly - steady current, manageable depth, and minimal snags.
Example: 75 lb mainline → 50–60 lb leader from Westin Cam to lure.
For fish feeding near the surface (e.g., striped bass, bluefish, pollock), use a shorter leader between the camera and lure for better casting distance and control. Keep presentations quiet and natural.
Throwing heavy paddletails or metal jigs for halibut or deeper tuna? You can run the camera without the Y-Fin stabiliser to reduce drag and keep the jig tracking correctly.
In very deep water, available light drops fast. Without added light, you may only see shapes or the fish near the surface. Plan filming for midday, clear water, and shallower structure when possible. If you add external light, mount it so it doesn’t spook fish or alter lure action (and check local regulations).
If toothy fish are common, run a short internal wire rig through the camera tube:
A conventional reel gives better line control and direct sensitivity for vertical jigging. Run braid mainline unless it’s extremely rocky; braid transmits taps and keeps scope down.
A spinning outfit usually casts farther and avoids backlashes. In very shallow, rocky areas, monofilament can be more forgiving than braid if you nick structure.
Main Line (braid)
│
├──▶ Barrel Swivel
│
├──▶ Westin Cam (line-through)
│
├──▶ Leader to Lure (slightly lighter than main line)
│ (e.g., 50–60 lb fluoro; shorter for shallow casting)
│
└──▶ Lure (paddletail / metal jig / plug)
Toothy option: Replace the section through the camera with a short wire insert (swivel–crimp–wire–crimp–swivel) covered in heat-shrink, then continue with fluoro to the lure.
Heavy/deep jigs: You can remove the Y-Fin to reduce drag and keep the jig’s track true.